Esbjerg Ensemble/Vinyl Terror&Horror: Sweeping instrumental music playing on TV
Den Sorte Diamant
9th June 20.00
Programme
Vinyl-terror & -horror: [sweeping instrumental music playing on TV]
[sweeping Instrumental Music Playing on TV] is a new work by artist and turntablist duo Vinyl-terror & -horror for Esbjerg Ensemble made from found footage stripped of its original context and reedited into a new, open narrative. The subtitles of the original footage, describing moods and actions, become the score. Vinyl-terror & -horror then compose with these descriptions: sometimes taking them at face value, sometimes ignoring or ridiculing them, in equal measure. The score originates as a physical artwork, a cut-up LP, which violinist, composer, and long-time collaborator of the duo George Kentros has transcribed for the Esbjerg Ensemble. Alongside them, mechanical sculptures execute precise physical actions in sync with the same score in a humorous homage to Foley art. Expect a genre-defying, mind-bending blend of music, sculpture and video, as they create a whole new world of sound and expression.
Luis Hansen Fonden, Goethe Institute, Statens Kunstfond (comission) & Den Sorte Diamant.
Venue
Den Sorte Diamant
Søren Kierkegaards Plads 1 1221 København K
> See MapArtists
Vinyl-terror & -horror
Vinyl-terror & -horror is an artist duo consisting of Camilla Sørensen and Greta Christensen, working at the intersection of sound and visual art through turntablism, installation, sculpture, composition work or live concerts.
Esbjerg Ensemble
Esbjerg Ensemble spiller klassisk og ny kammermusik med kompromisløs kvalitet og anerkendes for nyskabende og alsidige programmer. Ensemblet består af ti passionerede musikere fra hele verden, udvalgt for deres unikke kvaliteter, dedikeret til at spille på højeste niveau.
George Kentros
Experimental violinist based in Sweden. Has commissioned over 200 works from composers across 21 countries and founded avant-garde art club SEKT, consistently challenging the norms of contemporary music performance.